New Light Theater Project is now accepting applications at http://www.newlighttheaterproject.com/ through June 30th for The Darkroom Series 6. Darkroom Series 6 will take place at Access Theater on August 5th and August 6th with a private salon reading on July 30th.
Darkroom Series 5 artists Gina Scanlon and Kyle Metzger talked a little bit about their experience with the platform for new work.
Gina Scanlon:
How did you get involved with New Light Theater Project and the Darkroom Series?: A friend of mine and fellow playwright was kind enough to turn me on to the project, so I submitted my latest work-in-progress to David Sernick.
At what point in its process was your project?: I have about 1/3 of the final script written and a rough outline of the full script. Darkroom's performance was the first 11 pages of my script.
How has the Darkroom Series helped your project? What discoveries did you make?: It helped immensely! Gave me an idea of what it would really look and feel like on stage, including the pacing and language. I also had the chance to collaborate with a great director and great actors who all contributed to revisions throughout the process and the piece is stronger for it. They discovered tiny quirks about the characters, and even suggested line and logistic changes that I ended up using. Any chance you can get a play on its feet in any form is a privilege. Especially to gauge how enjoyable an audience finds the piece; where they laugh, gasp, don't respond, etc.
Why would you recommend the Darkroom Series to other theater artists?: For all the reasons above and more. My experience was invaluable because not only am I inspired to go finish the project, but I feel like I've been handed the proper tools to do so. And now I have a much better idea of the direction I want it to go.
What is the next step with your project?: Possibly workshopping other sections of the script, and finishing it! Once I'm happy with it, I will be submitting it out to theatres.
Kyle Metzger:
How did you get involved with New Light Theater Project and the Darkroom Series?: Sarah Norris, Mike Aguierre and I have collaborated on a few projects over the past year, and I presented some scenes from Sexless in the Boroughs last year, which went on to be produced by my co The Glass Eye and terraNOVA Collective at IRT in October.
At what point in its process was your project?: We have just scratched the surface with Speak, Lavinia, workshopping the first 20 minutes of the play.
How has the Darkroom Series helped your project? What discoveries did you make?: I've been wanting to develop this play for a while, and the Darkroom was the perfect opportunity to get it up on its feet and moving around. The play has some staging challenges I wanted to explore, and I wanted to work with actors to understand who these characters are and what the tone and style of performance the piece has.
Why would you recommend the Darkroom Series to other theater artists?: It's a great chance to see how your new play works in front of an audience. The audience reaction is a great tool, it teaches you a lot about what you have and can show you what doesn't work.
What is the next step with your project?: We will continue to build and rebuilds the foundation we created for the Darkroom, and develop the rest of the play until it's production ready.
