Review: An Easy Night of Laughs

By Michael Block

Filling the classical quota of the season, Noel Coward’s Present Laughter is the surefire show that won't upset the status quo. But this isn't just another production of a Coward play, it's a hit simply thanks to its star, Kevin Kline. Directed by Moritz Von Stuelpnagel, Present Laughter is a night of bawdy laughter and high-class comedy.
Following the days in the life of egomaniacal playboy Garry Essendine as he’s set to embark on an African theatrical tour, Present Laughter follows the madcap adventures of the people that populate Garry’s flat and the women who desperately want him. The almost farcical light comedy is a Coward classic that is an easy audience pleaser. Moritz Von Stuelpnagel directs the play a bit safely, but fills it with hilarity. And that’s thanks to Kevin Kline as Garry Essendine. Kline is a natural comedian. He knows how to land a joke. His physical comedy is effortless. And no matter who his scene partner is, his ability to take and give the moment proves his strengths as a performer. Put anyone else in this role and Present Laughter would be a blip on the map of the Broadway season. Kevin Kline makes the production worthy of recognition. Alongside him was a strong supporting ensemble of women, including the delightful as always Kristine Nielsen as Monica, Garry’s secretary, Kate Burton as the sly Liz Essendine, Garry’s former wife, and extraordinarily whimsical Tedra Millan, making her Broadway debut as Daphne Stillington. The other leading lady in Garry’s life was Joanna, played by Cobie Smulders. Smulders was strong in her characterization, but she was unfortunately a bit rigid and robotic in her take on the debonair wife of his producer Harry and mistress of his manager Morris. With the rest of the cast taking big leaps in comedy, Smulders approach seemed to place her in a different play. Von Stuelpnagel didn’t seem to have the tools to bring her into the same world as the other characters.

photo by Joan Marcus

As a period piece set in 1939 London, Von Stuelpnagel and his team honored the time, and Garry’s personality, through the entirety of the design. The scenic design by David Zinn featured a stylish home that was a bit chaotic. With books lining every inch of every shelf and artwork strewn about the walls, even creeping down on the shelves, there were no details left out. The color scheme was classic and soothing. The only downside was no matter the seat, you’re likely to miss something. The layout of the apartment was specific and called attention to the necessity of Von Stuelpnagel’s comedic staging. Doors were placed in certain areas to cause quick-timed reveals. A mirror was cleverly placed near the hallway, where Kline’s Garry did double takes to check his appearance. And then there is said hallway where the audience often gets glances of who’s ringing the bell often before the characters. But depending on where you were seated, you likely missed some of these comedic beats. Personally, I lucked out and only missed the entrances from the main door, but while I was cackling every time Kline looked in the mirror, my neighbors to my left were left in the dark. The costumes designed by Susan Hilferty were first-rate. Matching the personas of each character through color, cut, and fit, Hilferty honored the period while maintaining the high status of this world.
Present Laughter was a great vehicle for a triumphant Broadway return for Kevin Kline. Sometimes you just need to go to the theater for a laugh, and this production fulfills that. There’s no need to reinvent the wheel when it comes to Noel Coward.